![]() ![]() In the world of television they spend a lot of time returning unused clothing and organizing receipts. In Europe, a set costumer is often called a stand by costumer.Įvery department tends to have a production assistants who are usually people just starting out in the business. ![]() Some high paid, “famous” actors have a personal costumer written into their contracts. Some actors have personal set costumers who only take care of them but most television shows don’t have the budget for this. There is usually more than one set costumer on a show. He or she pays attention to things like: How many buttons are buttoned, are the sleeves of the shirt supposed to be rolled, should that bag be over the right or left shoulder. A set costumer watches during filming and makes adjustments as needed. Shows are rarely, if ever, filmed in order. He or she is responsible for continuity (making sure the correct outfit is worn at the correct time in the proper manner). They are also very good at putting out fires.Ī set costumer takes care of the actors on set. They spend a lot of time looking ahead and anticipating problems and catastrophes before they arise. They are responsible for making sure everything runs smoothly on set. He or she manages the day-to-day execution of the designers vision. There’s often a costume department driver who will meet them to pick up purchases. NYC shoppers spend a lot of time walking, schlepping and taking the subway. Being a shopper in NYC is completely different than being a shopper anywhere else because well, you can’t get around NYC efficiently in a car. The shopper spends his or her day out in the world, shopping. Often, the assistant designer is the one who dresses the background actors. ![]() They conduct fittings and manage the entire department.Īgain, pretty self-explanatory. They usually spend time talking with producers or the creators of a show, reading scripts and discussing character with the actors and actresses, as well as researching. The costume designer is responsible for developing the look and feel of a show. Common costume and wardrobe positions on movies and television shows Design/Costume Department: In New York City, the wardrobe local is 764. There are various locals across the country that are wardrobe specific. The labor union for theatre, film, television and live events, founded in 1893, is IATSE or, the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada.ĭesigners, assistant designers, shoppers and coordinators are normally members of Locals 829 (United Scenic Artists) or 892 (Costume Designers Guild). Theses terms are basically interchangeable but, if a dividing line were to be drawn it would separate the costume and wardrobe departments by union locals. Here’s a list of some common positions found in costume and wardrobe departments of films and television shows.īut first, the difference between the costume and wardrobe departments. O/C means on call and is what is used for those who do not need to be on the actual shooting set. One of the daily call sheets for Blindspot which lists the positions with call time (time to report to work).
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